A three day event exploring the themes, issues and practices of contemporary field recording Dates: 4, 5, 6 July 2024 Venue: In person at London College of Communication, Elephant and Castle, London, SE1 6SB and online Following on from our previous call for contributions we are delighted to announce In The Field 2 an event exploring the themes, issues and practices of contemporary field recording. Over three days, through peer-reviewed presentations, workshops, sound and video works, we will share multi-disciplinary perspectives on practices, methods and theoretical approaches from over eighty international presenters.
Indicative panels are as follows (NB this is subject to change): Thursday 4 July Hearing Criticalities: Layers in Space and Time Capturing and Releasing Lifeworlds Placing the Field Memory Machines: Inclusion, Ethics, Authenticity Interference, Energy, Technology, Polyphony Friday 5 July (includes parallel sessions) Sonic Ethnographies and Subjectivities Acoustic Witnessing Audio Channels: Swarms, Streams, Samples, Dummy Heads The Social Lives of Sounds Sensory Collaborations Amplification, Attention, Reception Listening, Relistening, Reflecting, Resisting Performing Archives, Hearing Histories, Tuning Technologies Saturday 6 July Concrete and Abstract: Pressing Record and Activating Collections Localities and Elsewheres Bodies, Care and Ghosts There will also be a workshop programme and a listening room and video screening room available throughout the event. In the Field 2 follows on from the international 2013 symposium of the same name, organised by CRiSAP (Creative Research in Sound Arts Practice), University of the Arts London in collaboration with the British Library. While the 2013 event mapped contemporary practices and their historical precedents, In the Field 2 will investigate how the practice of field recording has changed in the intervening decade of escalating ecological, political, social and financial challenges. Comments are closed.
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