​WFAE BOARD - AFFILIATE REPRESENTATIVES
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The WFAE is composed of seven affiliated groups that together form the World Forum for Acoustic Ecology. Each affiliate has an elected representative on the governing board. The current representatives are listed below.

Australian Forum for Acoustic Ecology (AFAE)
Dr. Leah Barclay is an Australian sound artist, composer and researcher working at the intersection of art, science and technology. She specialises in electroacoustic music, acoustic ecology and emerging fields of biology exploring environmental patterns and changes through sound. Her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including UNESCO, Ear to the Earth, Al Gore’s Climate Reality and the IUCN. She is currently the director of Biosphere Soundscapes and a research fellow at Griffith University in Australia where she is leading a portfolio of research in acoustic ecology and climate change. ​Website

Canadian Association for Sound Ecology (CASE/ACÉS)
Mickey Vallee holds a Tier 2 Canada Research Chair in Sound Studies at Athabasca University. He uses traditional qualitative methods to understand the personal and collective experiences that researchers, cultural producers and people in everyday life have with emerging sound technologies. He is also experimenting with “inventive” methods to test the value of creative interdisciplinary research and collaboration, including the use of digital apparatuses and storage, and analysis software. He has published three books and over 30 academic articles and chapter contributions on how sound contributes to knowledge in science, philosophy, and the arts. His current research project involves a novel approach to bioacoustics as a lived experience between humans, animals, and the environment, and is situated entirely in the wilderness of Southwest Alberta, Treaty 7 territory of the Blackfoot/Niitsítapi. ​

Finnish Society for Acoustic Ecology (FSAE)

Ari Koivumäki started working with sound in 1980 as a sound engineer in the Finnish Broadcasting Company (YLE).  In the 1990s, he become a lecturer in sound design, taking part (alongside his students) in many soundscape projects and publications together with Finnish Society for Acoustic Ecology since 1999, both in Finland and in greater Europe.

Ari has also presented papers at several conferences related to sound engineering, soundscape studies and ambiance. He received his doctorate from Aalto University, School of Art and Design in 2018, where his dissertation focussed on how to benefit soundscape studies within sound design. Currently, Ari is working as a Principal lecturer of media production in Tampere University of Applied Sciences (TAMK).  Here, he has participated in R&D programs focusing on digitizing wellbeing services and addressing challenges related to population ageing, in cooperation with companies and public organizations. Website.

Hellenic Society for Acoustic Ecology (HSAE)
Andreas Mniestris is an electroacoustic music composer, saxophone player and sound engineer born in Piraeus, Greece. Since 1995 he has lived in Corfu where he teaches at the Music Department of Ionian University as an Associate Professor of Electroacoustic Music Composition. He is currently the director of the Music Department’s Electroacoustic Music Research Laboratory [EPHMEE]. Mr. Mniestris is a founding member of the Hellenic Association of Electroacoustic Music Composers and the Hellenic Society for Acoustic Ecology. Website

Japanese Association for Soundscape Ecology (JASE)
​Dr. Tadahiko Imada is Professor at Hirosaki University in Japan, teaching music education based on the concept of soundscape. He holds a BMus from Kunitachi College of Music in Tokyo; an MA from Simon Fraser University where he studied as a recipient of the Government of Canada Award; and his PhD is from the University of British Columbia in Canada. Dr. Imada is co-author of A Little Sound Education (together with R. Murray Schafer, Tokyo: Shunjusha, 1996, 2009); Music Education Policy and Implementation: International Perspectives (co-edited with Chi Cheung Leung and Rita Yip, Hirosaki University Press, 2008) and The Oxford Handbook of Philosophy in Music Education (edited by Wayne Bowman and Ana Luca Fruga, Oxford University Press, 2012). Website

Midwest Society for Acoustic Ecology (MSAE)
Alex Braidwood is a sound artist, designer, and educator who maintains a practice centered around play and experimentation. He has been an artist in residence in a remote Australian mountain village, on an Iowa farm, at a mid-western biological field research station, and most recently on Isle Royale National Park. He has exhibited sound art, led creative workshops, lectured on his research process, and performed live at a variety of events and venues throughout the US, Europe, and Asia. Alex is currently Director of the Artist-in-Residence program at Iowa Lakeside Lab biological field research station and Associate Professor at Iowa State University. Website | Instagram

Red Ecología Acústica México (REA_MX)
Fausto E. Rodríguez Manzo is an architect, Master and Doctor in Design from UAM. He holds many positions, including as Research Professor of the Department of Processes and Techniques CyAD UAM-Azc, Head of the Acoustic Analysis and Design Research Area and Laboratory, Professor of Architectural and Urban Design and elective courses (Space, sound and architecture; Acoustics and noise control in buildings; noise and city; Dialogues with music), Professor of the Postgraduate in Design and Urban Studies at UAM-Azc, and National Researcher of the National System of Researchers SNI-CONACYT level 2.

An author of specialized books and articles, Fausto currently directs the SEP-CONACYT Basic Science Project: "Environmental noise in the urban space of Mexico City". He carried out acoustic design of the Mateo Herrera Auditorium of the Cultural Forum of Guanajuato, in León, Gto Coordinator of the First Noise Map project for the Metropolitan Area of ​​the Valley of Mexico by UAM-A in collaboration with the SMA to the SMA of the Government of the Federal District between 2009 and 2011. 

UK and Ireland Soundscape Community (UKISC)
Dr. Rob Mackay is an award-winning composer, sound artist and performer. Recent projects have moved towards a cross-disciplinary approach, including geology, soundscape ecology, theatre, audiovisual installation work, and human-computer interaction. His work has been performed in 18 countries (including several performances on BBC Radio 3, BBC Radio 1 and Radio France), and a number of his pieces have received international awards (Bourges (1997 and 2001), EAR (1999), La Muse en Circuit (2007)). He has held composer residencies at Slovak Radio (Bratislava), La Muse en Circuit (Paris), the Tyrone Guthrie Arts Centre (Ireland), Habitación del Ruido (Mexico City), and CMMAS (Morelia). Website

​​WFAE BOARD: EXECUTIVE OFFICERS

President
Eric Leonardson is an accomplished Chicago-based composer, radio artist, sound designer, instrument inventor, improvisor, visual artist, and teacher. He is Executive Director of the World Listening Project (founded in 2008) and founder (in 2009) of the Midwest Society for Acoustic Ecology. He is currently an Adjunct Associate Professor in the Department of Sound at The School of the Art Institute of Chicago. Website

Vice President
Dr. Leah Barclay is an Australian sound artist, composer and researcher working at the intersection of art, science and technology. She specialises in electroacoustic music, acoustic ecology and emerging fields of biology exploring environmental patterns and changes through sound. Her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including UNESCO, Ear to the Earth, Al Gore’s Climate Reality and the IUCN. She is currently the director of Biosphere Soundscapes and a research fellow at Griffith University in Australia where she is leading a portfolio of research in acoustic ecology and climate change. Website

​Treasurer

Tristan Louth-Robins is an Australian artist working principally in the medium of sound art, composition and acoustic ecology. Ideas of sound and its signification are key elements in Louth-Robins’ practice, traversing the spaces between the visual and aural his work is realised through recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to the surrounding environment, objects, technology and urban spaces. Since 2011, he has facilitated the Fleurieu & Kangaroo Island Sound Map (FKISM).
Website

Secretary
Jesse Budel is a composer-performer and sound artist based in Adelaide, South Australia. He recently completed a PhD at Elder Conservatorium of Music, The University of Adelaide (with an Australian Postgraduate Award), focussing on adapting soundscape ecology frameworks and methodologies to creative process, applied in the production of works responding to engagement with specific sites, and related ecosystems and soundscapes. In 2017, Jesse was an inaugural Carclew Fellowship recipient, which supported a professional development tour of the US and Canada focussed on acoustic ecology and ecoacoustic research and practice. In 2018, he received acknowledgement for Best Student Paper (Creative Stream) at the International Ecoacoustics Congress in Brisbane. Currently, Jesse is a sessional staff member at The University of Adelaide, and also serves as the Secretary for the Australian Forum for Acoustic Ecology.​ Website

Past Treasurer and Past President
​Nigel Frayne (1952–2018) was a sound designer working with museums, aquariums, science and exhibition centres, theme parks and arts and leisure precincts from San Diego to West Papua, Bunbury (Western Australia) to Singapore, Genoa to Auckland. In 1996 he joined the WFAE and formed Resonant Designs, specialising in Soundscape and Electroacoustic Design. Website

WFAE COMMUNICATIONS

Editor-in-Chief: Soundscape: The Journal of Acoustic Ecology
​Dr. Leah Barclay is an Australian sound artist, composer and researcher working at the intersection of art, science and technology. She specialises in electroacoustic music, acoustic ecology and emerging fields of biology exploring environmental patterns and changes through sound. Her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including UNESCO, Ear to the Earth, Al Gore’s Climate Reality and the IUCN. She is currently the director of Biosphere Soundscapes and a research fellow at Griffith University in Australia where she is leading a portfolio of research in acoustic ecology and climate change. ​Website

Past Editor-in-Chief: Soundscape: The Journal of Acoustic Ecology
Dr. Phylis Johnson is Professor of Sound & New Media in the College of Mass Communication & Media Arts at Southern Illinois University, Carbondale. She is Editor of Soundscape: The Journal of Acoustic Ecology and the Editor of The Journal of Radio and Audio Media. She serves as machinima reviews editor for The Journal of Gaming and Virtual Worlds. She has written four books in media studies, as well as numerous chapters and articles dealing with issues in sound, new media and media studies. She operates a sim within Second Life on behalf of her university, in partnership with the University of Western Australia, with dedicated space to a several-layered interactive in-world lab used for teaching sound studies.

Past Editor-in-Chief: Soundscape: The Journal of Acoustic Ecology
Hildegard Westerkamp is a composer, radio artist and sound ecologist. She uses environmental sounds almost exclusively as the "language" for her compositional work, much of which comments on aspects of the soundscape and on our state of listening. Born in Germany, she moved to Canada in 1968 and in the early '70s worked with Canadian composer Murray Schafer on the World Soundscape project. She is a founding member of the World Forum on Acoustic Ecology (WFAE) and continues to compose, travel, and lecture all over the world. She remains associated with Simon Fraser University in Vancouver, British Columbia, where she lives and works. Website

Coordinator, Soundscape Explorations
Gary Ferrington is Past WFAE Secretary and Webmaster; he continues as coordinator of Soundscape Explorations, a directory of short videos related to acoustic ecology. Ferrington retired from the University of Oregon in 1998 and has since become a freelance journalist focusing on contemporary classical music in the US state of Oregon. His background is in the field of Instructional Systems Technology and Cinema studies with a MS degree in IST from the University of Southern California.