![]() Leor Galil of The Chicago Reader recently penned an essay on MSAE Board Member Norman W. Long, chronicling his evolution from a clarinetist to a sound artist deeply engaged with field recordings, ecology, and experimental music. Long's journey spans decades, shaped by academic pursuits in art and landscape architecture, and his innovative soundwalks, particularly at Chicago's Big Marsh Park. Drawing from diverse influences like bell hooks and DJ Spooky, Long integrates ecological awareness and community engagement into his practice. His work fosters connections and inclusivity in experimental music, amplifying voices of underrepresented communities. Read the full article at the link below.
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